Author: Henriette

The Present viewed through the lens of the Future

The present, viewed though the lens of future, is often rushed or fearful.

We often do things, not just for the sake of doing them but because we want some outcome from the activity. Sometimes we even look down on activities that don’t yield some sort of gain somewhere down the line. We also find that many people around us discourage doing something for mere joy or fun of it. Many things can fall into this category. Running for example. We don’t just go running for the sake of running. We go running because we want to lose weight. Or because we want to improve our health. Or because we feel guilty about not doing enough exercise. But running for the mere sake of running is the best kind of running. It is not just an activity we do to get to some other more desirable state. It is just a fun activity (for me at least).

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The Present viewed through the lens of the Past

The present, viewed through the lens of the past, is often heavy and burdened.

This means that we can, in any given moment, choose to attach some narrative about our past experiences to whatever we’re doing or feeling.

An example would be pain. Pain, in the present moment, is just an unpleasant feeling. It can be as simple as that. But when we analyse an unpleasant feeling through the lens of a narrative that says I never feel well, or I always feel terrible that feeling becomes more burdened and heavy with the baggage of the past. Some part of our narrative might be true, but it doesn’t serve us. It often just weighs us down.

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Emotional Work: Mental loops, negative emotions and deep patterns

What came first? The negative emotion or the destructive thinking pattern. This is a question that I’ve been trying to answer for a while now. But I cannot seem to come up with a clear answer, and the main reason for this is that these two are quite interconnected. When you don’t feel good, that state has a tendency to colour your thoughts and mental view points. Likewise, when you’re stuck in some self-defeatist mental prison, that can make you feel pretty bad emotionally. Then, if that isn’t enough, these two seem to feed off each other at times.

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Emotional Work: Why venting is a bad idea

Years ago an argument with someone made me so angry that I struggled to sit still after the interaction. This was quite a while ago, and back then, I still had a punching bag in my backyard. I couldn’t get my mind off the incident so I went outside to throw some punches just to get all that anger out of me. There was an enormous amount of frustration and anger flowing through me while I was punching the bag, and by the end of ten or fifteen minutes, I felt completely spent. Not only was I exhausted, I also had a raging headache.

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Emotional Work: Anger

Anger is not an easy emotion to contain or process. Until recently I’ve been largely unaware of how much anger I was carrying around inside. Terrifying dreams showed me that I needed to work on this emotion but I had no idea how. I was intuitively nudged towards Anger by Thich Nhat Hanh.

This ended up being one of the most profound things I’ve read this year. The writing is simple and the book is short, but it contains an enormous amount of wisdom and great practical advice. This was indeed the single best book I’ve ever read on anger—and maybe even the best book on any single emotion that I’ve come across.

It’s really hard to do a complete summary of everything so I’ll instead point to some of the main ideas and advice that I found particularly helpful.

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Emotional Work: Mindfulness as a foundation

There is comfort in mental loops. Going around and around in your head about how unfair someone acted is easier than feeling the emotions underneath the thoughts. Repetitive mental loops can, of course, initiate and perpetuate certain emotions. But often it’s easier to loop through narratives than it is to feel the emotion. In other words, there is comfort in the thinking pattern.

When we stop and try to be silent for a while, all sorts of uncomfortable emotions can bubble to the surface. These can be hard to feel and the temptation is to return to the thinking (or doing) cycle. This is why mindfulness (or mind-stillness) is the foundation of emotional work.

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Process over progress

Robert Greene in Mastery talks about how easy wins or successes can sometimes be a curse rather than a blessing. Greene argues that most things in life do not come easy and if we have the expectation that it should, then that can cripple us. This is because the expectation for things to be easy can cause us to give up too quickly. When I read Mastery years ago I did not fully appreciate that insight, but over the years, I’ve seen that it’s not only true but also beneficial to not expect quick results. In other words, it might be better to expect certain things to take a long time. Your best strategy is to favour process over progress.

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Write something serious

Someone once asked me why I write science fiction. They wanted to know why I don’t write more serious stuff. Something like literary fiction, they argued. Something, they said, that tells us something about the human condition.

This was years ago and I didn’t have a good answer back then. I write stories that make me feel excited. It’s always been like that for me, especially novel-length stories. There has to be something enthralling and magical to the story or idea to counterbalance the countless hours, months, years I spend writing it. The way I like to think about it is that some stories have chosen me.

But there’s something else I want to add here. Something that’s more important. It’s this: Stories, no matter the genre, can always tell us something about ourselves.

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Delivery device

A pizza isn’t just about the cheese. But it’s not just about the base either. You have to have quality cheese and a good base to make the slice palatable. The base cannot merely be a delivery device for the cheese and the toppings. The base has to have its own characteristics—soft in the middle with a little crunch on the outside. Salty, with a hint of sweet, maybe.

In the same way, a science-fiction story cannot just be about the idea.

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